Synthesised nostalgia: Exploring Inal Bilsel’s retro-futuristic sounds

A feature piece by Lance Peng on Inal Bilsel

With over two decades of experience in the music industry, Inal Bilsel has carved out a unique artistic identity—one that fuses music, visual arts and speculative narratives. A multifaceted composer, performer and educator, Inal’s work is a journey through contrasting worlds: fact and fiction, nostalgia and future dystopia, narrative and conceptual abstraction. His sound is influenced by science fiction, retro-futurism and musical hauntology, a genre that evokes the echoes of lost futures and fragmented memories. Whether through electronic compositions, orchestral pieces or immersive audio-visual performances, he pushes the boundaries of what music can communicate.

Hauntology and Lost Futures: Trauma Narratives in the Contemporary Gothic

A post by Emma Dee

Introduction

We begin, not with a text, but with an image.

This is a depiction of a painting by Caspar David Friedrich, a well-known German Romantic painter and explorer of the sublime. Not only is this a representation of what many of us might think of when we hear the term ‘Gothic,’ but the story of this particular image might help elucidate a concept of hauntology that this article is exploring. This picture is not the original.

D(igital)éjà Vu: AI, Mnemohistory, and the Future of Memory

A post by Sheng-Hsiang Lance Peng

Mnemohistory, a term coined by German Egyptologist Jan Assmann, refers to the study of how societies remember and construct their historical narratives. Unlike traditional historiography, which focuses on the objective recording and analysis of past events, mnemohistory emphasises the subjective processes through which memories are formed, preserved, and transmitted across generations. It explores the ways in which collective memory shapes, and is shaped by, cultural, social, and political contexts. Mnemohistory investigates the symbols, rituals, and narratives that communities use to create a sense of shared identity and continuity with the past. Originating from the Greek word “mnemos” meaning memory, and “historia,” meaning enquiry or knowledge, mnemohistory looks into the interaction between memory and history, recognising that our understanding of the past is not static but constantly reinterpreted through the lens of present concerns and future aspirations.

Remix Culture: the comfort of nostalgia in uncertain times

A post by Michael Smyth

In the city of Bristol UK, during the summer of 2020 a bronze statue was toppled by protesters, dragged through the streets to the harbour and thrown into the sea. In the grand scheme of things, this might seem like a small local disturbance, but what it actually raised were much more fundamental questions about our relationships with the past and how these are affected by the present and possible futures. The statue was of Edward Colston, a 17th century merchant and slave trader who was born in Bristol. Colston’s memory had been divisive for years, with some thinking history can’t be changed and others campaigning successfully for his name to be erased from streets, schools and venues. The toppling of the statue served as a powerful reminder that the past is intimately bound up with futures and critically that the past is also a contested space. It is subject to many different interpretations when viewed through the lens of the present.