Hauntological Form: Where We Might Find the New in Contemporary Videogames

A post by James Sweeting

Introduction

To answer the question “where might we find the new” this paper will provide insight into the circumstances that encapsulate contemporary videogames. Acknowledging that since the start of the new millennium the future has been increasingly difficult to locate, simultaneously, contemporary videogames have been preoccupied with looking towards the past for answers. Nostalgia has often been considered as a potential source for the state of reverie that the past provides, whether that be from history or media form. However, nostalgia is not the source of the increasing reliance on the past, rather it is the identifiable symptom of something else, that being hauntology. 

Roots to Routes: Community Resilience through Ancestral Knowledge

A post by Lance Peng

In a world where progress and innovation are often prioritised, I highlight the need to reconnect with the past, drawing on the wisdom passed down through generations. Mnemohistory, which focuses on how societies remember and reinterpret their history, shows that communities don’t just preserve events but also pass on cultural practices, stories, and shared experiences that shape their identities, and by tracing developmental paths through this historical knowledge, we can see how communities use their past to deal with present challenges and plan for the future. This approach goes beyond written records, exploring how the act of remembering and reimagining the past connects with shaping the future, with ancestral knowledge serving as a key resource in strengthening community resilience.

Hauntology and nostalgia in the touristed landscapes of Sarajevo

A post by Marta Roriz

Introduction

Tourism has today a significant impact on cities and urban lives around the world. Urban tourism and the exploration of local topographies as tourist destinations have led to a complex co-production and co-consumption of urban spaces by tourists and local residents. The significative increase of tourism following the Second World War, in both developed and developing countries, is the result of various economic, technological, social and political changes (Wearing, Stevenson and Young 2010; Graburn 1989; Urry 2002), leading Crick (1989: 310) to describe it as “the largest movement of human populations outside wartime”. People travel for pleasure, but also to experience new places as well as to return to the familiar and the known. Some are motivated to learn about other people and cultures, while others seek to gain insights into the self through travel (Wearing, Stevenson and Young 2010).

Motherhood : on haunting and failure

A PhD thesis with reflections from Anna Johnson

Link to thesis, Motherhood: on haunting and failure

https://eprints.kingston.ac.uk/id/eprint/56830/

The Synthetic Landscape

A post by Ian Chamberlain

In the following paper ‘The Synthetic Landscape,’ I will highlight and examine some of the core values at the heart of my practice. These will include my approaches to making, the themes and concepts I explore, and most importantly how I see these connections. I will overview some of my past works and focus on three bodies of work that I see as pivotal in the development of my practice, bringing together process and core conceptual concerns.

Empty echoes of empty dishes

A post by Hilary Tsui, contributing to the Shadows under the mistletoe theme

I grew up celebrating the Winter Solstice

A day to mark the longest day in winter

But also a time where we feel closest to each other and home

Home is my grandparents’ cooking

Food so delicious that we joked they are a restaurant powerhouse

Tong-Hing Restaurant, we called it

Home is my grandfather’s stash of biscuits and toffee

The dining table forever adorned with his favourite Danish butter cookies

Accompanied by the crinkle of candy wrappers

Stories wanted: Shadows under the mistletoe

The Chiaroscuro is a blog that dances with the spectres of memory—a place where the past is never truly gone but lingers like an elusive shadow, slipping between moments of our everyday lives. Here, we’re fascinated by those fleeting glimmers of memory, the eerie remnants of what once was but somehow never left. Each story, reflection, and image we feature weaves nostalgia together with the uncanny, exploring how the echoes of yesterday reach out to touch the present, haunting us in unexpected ways. This season, as festive lights twinkle and winter settles in, we’re gathering short, evocative pieces on the theme Shadows under the mistletoe.